Boss Gt 100 Vs Line 6 Firehawk

Boss GT 1000 vs Helix: Price. Helix is undeniably more expensive than the Boss GT 1000. However, both processors are great to buy. Depending on your needs and the way you'll use, their effects processor, one is better than the other. However, if you're on a budget, the Boss GT 1000 should be a. TOP 10 Reasons to Own a Line 6 Firehawk FX unit! 10 Reasons here: http://thetoneking.com/wp/10-reasons-to-own-a-lin. Both Line 6 and Boss are not comparable in tone, not even close (Owned the HD500X, used the Boss). If you are on a budget, the HD500x is better than the boss (nearly everything is sorry to say, boss modelling is crap). If not Fractal Audio Line 6 any day of the week.

I currently have a Line 6 POD HD500 and am thinking about getting the GT-100 to replace it. I am looking for the best direct sound (Thr. Fender Clean Twin 1:29 Fender Bassman 4:43 Fender Deluxe Reverb 8:38 Vox AC-30 11:48 Marshall Plexi 15:36 Bogner Ubershall 18:46 Mesa Dual Rectifier 22:19 So.

Are you confused in choosing between Line 6 POD HD500X and Boss ME 80? Well, no worries. Below, you can read about the differences and comparisons between these two great guitar effects pedals so that you can choose the best one for you.

Both Line 6 POD HD500X and Boss ME 80 are popular guitar effects pedals that people use for live performances as well as recording and practice sessions. Why? One of the primary reasons is the extensive control offered by each model. With numerous on-board controls and footswitches, both Line 6 POD HD500X and Boss ME 80 can give you incredibly flexible and quick control over various effects and settings. That is a huge advantage especially in live situations. Still, there are some factors that you need to consider when choosing between the two.

Contents

Line 6 POD HD500X vs. Boss ME 80: Design and Dimensions

First of all, let's compare the two based on their designs and dimensions. Both models come with sturdy and rugged metal housings. They are both pretty large and bulky, but Line 6 POD HD500X is a little bit larger than Boss ME 80. Line 6 POD HD500X measures 21.5' long, 10.5' deep, and 2.25' tall. On the other hand, Boss ME 80 is smaller yet somewhat thicker at 17 10/16' long, 9 1/8' deep, and 3 5/8' tall. In general, Boss ME 80 would be easier and more practical to bring along than Line 6 POD HD500X, though the thickness may require a particular consideration.

Line 6 POD HD500X is equipped with twelve footswitches and an expression pedal, offering impressive control. On the upper left side of the device, you can find the backlit LCD screen. There are several control knobs. On the other hand, Boss ME 80 comes with eight footswitches and an expression pedal. However, there are various dedicated control knobs for specific effects' settings for quick access. The display is a two-digit seven-segment, very easy to read from a standing height.

Line 6 POD HD500X vs. Boss ME 80: Available Connections

The available connectors on Boss ME 80 are pretty basic in comparison. There is the ¼' phone type guitar input jack, and a pair of ¼' phone type output jacks for L/Mono and R channels. In addition, there is a stereo miniature phone type AUX input that you can use to connect a portable music player to jam along in practice sessions. There is also a stereo miniature phone type phone output for listening quietly using headphones. However, the model has been packed with a USB port that hasinterface and MIDI capabilities, making it a viable choice if you need your guitar effects pedal to be able to connect directly to your personal computer.

If you need some of the more advanced connection ports, you will have a better luck with Line 6 POD HD500X. In addition to the standard input and output ports for guitars and the AUX input, there are also one XLR mic input with integrated preamp, one S/PDIF output, and one ¼' external pedal input. It has also been equipped with a ¼' stereo FX loop, ¼' stereo outputs, and XLR balanced stereo outputs, all with switchable line/instrument levels. There are MIDI I/O ports and a USB port with interface capabilities.

Line 6 POD HD500X is equipped with twelve footswitches and an expression pedal, offering impressive control. On the upper left side of the device, you can find the backlit LCD screen. There are several control knobs. On the other hand, Boss ME 80 comes with eight footswitches and an expression pedal. However, there are various dedicated control knobs for specific effects' settings for quick access. The display is a two-digit seven-segment, very easy to read from a standing height.

Line 6 POD HD500X vs. Boss ME 80: Available Connections

The available connectors on Boss ME 80 are pretty basic in comparison. There is the ¼' phone type guitar input jack, and a pair of ¼' phone type output jacks for L/Mono and R channels. In addition, there is a stereo miniature phone type AUX input that you can use to connect a portable music player to jam along in practice sessions. There is also a stereo miniature phone type phone output for listening quietly using headphones. However, the model has been packed with a USB port that hasinterface and MIDI capabilities, making it a viable choice if you need your guitar effects pedal to be able to connect directly to your personal computer.

If you need some of the more advanced connection ports, you will have a better luck with Line 6 POD HD500X. In addition to the standard input and output ports for guitars and the AUX input, there are also one XLR mic input with integrated preamp, one S/PDIF output, and one ¼' external pedal input. It has also been equipped with a ¼' stereo FX loop, ¼' stereo outputs, and XLR balanced stereo outputs, all with switchable line/instrument levels. There are MIDI I/O ports and a USB port with interface capabilities.

Line 6 POD HD500X vs. Boss ME 80: Effects and Built-In Features

Actually, Line 6 POD HD500X comes with an impressive number of built-in effects. Seriously, with over 100 stomp and studio effects, 29 guitar amps, 29 guitar preamps, 16 guitar cabs with 8 selectable mics, and even 8 bass models, it can give you lots of options. You can greatly customize and shape your guitar sound, as the device is able to handle up to eight effects simultaneously. The fact that it comes with various mic models and even some bass effects is awesome. Not many guitar effects pedals come with such features. In addition, you can write up to 512 presets in the devices. There are global EQ control knobs, too. The built-in looper is able to record up to 48 seconds, and there are Tap Tempo, Chromatic Tuner, and programmable MIDI controls.

On the other hand, Boss ME 80 also has the capability to handle up to eight effects simultaneously. But it ‘only' comes with 59 effects and 9 guitar preamp models. There is a built-in 38-second looper. The Chromatic Tuner is there, too.

Even though the Boss pedal does not have as many effects and features as the Line pedal, it still has its own advantages. Many people think that the Boss' effects are of higher quality than Line's. Well, the sound quality can be a subjective matter, and there are people who like Line's effects, but Boss' effects are indeed generally better. The sounds are fuller and have better definition. They sound more convincing.

Line 6 POD HD500X vs. Boss Me 80: Powering Options

Line 6 POD HD500X does not have any other powering option besides the included power supply. The good thing is that you don't need to purchase the power supply separately; it is included in the bundle. However, since there is no battery option, the pedal is unusable without a power outlet.

Boss ME 80 is a little more versatile when it comes to powering options as it can be powered by either an AC adaptor or six AA alkaline/carbon-zinc batteries. So, you are not entirely dependent on power outlets. However, the AC adaptor is not included and must be purchased separately.

Line 6 Firehawk Fx Dimensions

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Decision
In general, Boss ME 80 makes a better option for live performances. The large display allows you to see the information without having to bend all the way down, and that is very convenient. In addition, the effects quality is excellent. The versatile powering options further emphasize the suitability. Line 6 POD HD500X can be a very good value for the money, considering the numerous effects and features, but the small display screen and complicated settings make it less suitable for live performances.

• Amazon: Line 6 AMPLIFi FX100

Summary

• Pros: Excellent pedal for jamming along to songs and practicing. Innovative 'Tone Search' function and cloud sharing capabilities.
• Cons: Live applications can be limited.
• Overall: A great jamming and practice tool and an interesting step forward in terms of technology and innovation.

Full Review

Line 6 has always been a company at the forefront of the guitar world's latest technological innovations. From high quality amplifiers to powerful multi-effects processors, the company has delivered consistently in terms of quality and innovation. And with the AMPLIFi FX100, its latest member of the forward-thinking AMPLIFi range of products, Line 6 seems to be stepping into the future of guitar effects processors. If this step is a hit or miss, however, remains to be seen as I delve into a detailed review of the AMPLIFi FX100.

Line 6 Firehawk Vs Boss Gt 100

Build

The AMPLIFi FX100 doesn't really feel like it's meant to be used in live situations, and to be honest, looks more like it belongs as part of a home entertainment system. But that said, the outer-casing, control knobs and footswitches of the pedal are far from flimsy and feel quite durable. The pedal's body is mostly metal and the footswitches look and feel like those of Line 6's iconic POD series multi-effects units. And in all honesty, once you get used to it, the pedal does start to look pretty darn slick.

Interface

The interface of the FX100 gives an impression of an overly simple multi-effects unit. But don't be fooled – the pedal actually houses up to a hundred preset banks, which brings us to the most unique aspect of the FX100.

Like other products in Line 6's AMPLIFi series, the FX100 takes advantage of today's cloud-computing technology along with its Bluetooth connectivity to offer players a unique playing proposition; which is the ability to pair and control it through an iOS device and to also receive and play streamed audio through any Bluetooth enabled device.

The pedal's 100 presets are divided into 25 banks and the pedal's four footswitches enable players to switch through a bank's four presets. Scrolling through the banks isn't as easy, however, because players need to press down two footswitches simultaneously to do so. The FX100 also includes an expression pedal which can control various expression based effects and also act as a volume control pedal.

The pedal also features six control knobs which allow players to instantly tweak parameters like drive, EQ, FX level and reverb of any preset. To the right of these four knobs is a much larger master volume control knob which also doubles as a mixer when jamming over streamed music through the FX100.

In terms of connectivity, in addition to the standard 1/4-inch amp out, the rear panel of the FX100 also has two 'Main Outs' which can be hooked up to your home stereo system to listen to music that you stream on the pedal. There is also a headphone output which you can use to listen to both your playing and the streamed music at the same time.

Sound

One of the most unique features of the FX100 is the cloud-sharing feature which enables players to create, edit and share various patches and to categorize them by genre, artiste and specific song. To do this, players need to download the AMPLIFi Remote App from the iTunes store (Line 6 claims an app for Android is in the works) where they can arrange up to eight of the FX100's 200+ amps, effects and cabinet modulations in any order they want to.

However, what really sets the AMPLIFi FX100 from other pedals like DigiTech's iPB-10 Programmable Pedalboard and IK Multimedia's iRig Stompbox is its unique 'Tone Search' feature. This allows players to instantly find tones that match songs that are streamed through the device. To do this, whenever a song is streamed through it the FX100 searches the AMPLIFi community cloud for patches that other players have created for the specific song and offers a list of suggestions that players can then choose from. Players can then actively partake in the cloud by rating existing patches and creating their own.

One significant drawback that needs to be mentioned here though is that the AMPLIFi Remote App does not allow players to create patches from scratch. Instead players must build on one of the FX100's factory presets or a preset that they download from the cloud.

It's also important to mention here that Line 6 hasn't really included their latest HD sounds in the FX100. But that said, its 200+ amps, cabs and effects offer players quite a bit of room to experiment with and create their own unique tones.

Conclusion

Despite its virtually limitless tonal possibilities thanks to the AMPLIFi Cloud, it's hard to think of the FX100 as a comprehensive pedal for live use. However, the pedal's Tone Search feature and live music streaming capabilities does add a whole new dimension to jamming and practicing the guitar. Photoshop cs6 serial number list.

Buy on Amazon: Line 6 AMPLIFi FX100

Boss Gt 100 Vs Line 6 Firehawk Plus